Fourteen type systems for the proposal pages.

Why it fits: Fraunces carries trust and craft — closer to a fine builder's wordmark than a tech product — while Inter and Plex Mono stay out of the way for terms and tables. Optical sizing keeps hero prices handsome at 100px and tidy at 20px.

Watch out: Fraunces' personality fades below ~16px; keep it for titles and prices only. Serif display on very small plan-sheet key chips can feel fussy — let the mono carry those.

Why it fits: Grotesk + mono share one geometric skeleton, so the plan sheet and the headline feel drawn by the same hand. Reads as competent, current, engineering-adjacent.

Watch out: Space Mono is wide — long dimension strings wrap sooner on phones. The least "warm" set of the seven; a cold first impression for some homeowners.

Why it fits: Oswald is the free stand-in for the DIN-condensed tradition the McNeil/Pearce plan sheets already reach for ('Plan Display' falls back to DIN Condensed). Tall, unmissable prices; Archivo is a workhorse body text.

Watch out: Condensed titles want uppercase or short lines — long mixed-case headlines look squeezed. The most "signage" and least "document" voice here.

Why it fits: Continuity with the Fable page (Besley → Zilla Slab) but lighter and more approachable. DM Mono is gentle and airy — receipts feel less like invoices, more like notes.

Watch out: DM Mono ships light weights only — it can wash out at 11px on the dark plan sheet; budget a size up or a 500 weight floor. Zilla Slab has no true italic for asides.

Why it fits: The most unambiguous set. Public Sans was drawn for government forms; JetBrains Mono has the clearest figure disambiguation here. Nothing decorative to doubt.

Watch out: Title and main are near-relatives — hierarchy must come from weight and size, not contrast of voice. Can read institutional rather than neighborly.

Why it fits: Terms, scope, and warranty copy genuinely read better in a good serif — this set makes the fine print feel considered instead of hidden. Serif body + mono data is a handsome, bookish contrast.

Watch out: The farthest from the current blueprint identity; long scope lists on small phones tire faster in serif. Needs generous line-height (1.6+).

Why it fits: If the brand should feel like a young, design-forward outfit rather than an established yard, this is the one — memorable titles, soft readable body, tidy mono.

Watch out: Bricolage's quirks (the g, the a) can tip into "agency portfolio." Disable Fira Code's ligatures in the plan sheet (font-variant-ligatures:none) so dimension strings stay literal.

Why it fits: Stenciling is how concrete actually gets lettered — spray layout marks, curb stamps, formwork. A superfamily pair keeps title, body, and diagram visibly cut from the same board, and the stencil title is unmistakable at the price.

Watch out: Big Shoulders runs narrow and tall — long paragraphs feel dense; keep body copy short or plan to swap the main face for a wider text grotesque. The stencil wants caps or short lines.

Why it fits: Marker-on-concrete is how layout really happens on site — the proposal speaks the crew's own handwriting. Atkinson Hyperlegible was engineered for glance legibility (distinct letterforms, high x-height), a quiet accessibility story for every age of homeowner eyes. Doto's dot matrix echoes job-site signage and old plan printers.

Watch out: Permanent Marker ships a single weight, no italic, and goes breezy around a big price — pair it with dead-calm body copy. Doto needs 12px+ to hold its dots; the 8px labels in the mini plan show exactly where its floor is.

Why it fits: Heritage trust, printed on paper that predates every competitor's landing page. A typed bid reads as a firm that has outlasted recessions; Courier Prime keeps genuine typewriter texture without Special Elite's smudge at text sizes. Mono money rows are tabular by nature.

Watch out: The whole set is monospace-adjacent, and mono runs wide — keep line-height at 1.6+ and line lengths short. The distressed title fuzzes below ~28px; keep it for the headline and price only.

Why it fits: A driveway's whole job is connecting a house to the road — and Overpass is the open-source heir of US Interstate highway signage. Signage letterforms are engineered for glance legibility and distance; a bid that reads like a road sign is a bid that can't be misread, and the one-family system is automatically coherent.

Watch out: With a single family, hierarchy comes from weight and size alone — there's no voice contrast to lean on. Overpass Mono is narrow (fine for dimension strings); give big money rows a weight bump so they don't thin out.

Why it fits: Plan sheets came off pen plotters for decades. This set makes the drawing the hero and dresses the whole bid like the machine that drew it — VT323's terminal grid makes money rows read like a CAD readout, and Michroma carries the techno-architectural voice of Eurostile signage.

Watch out: Pixel fonts demand integer pixel sizes (12/14/16px — nothing between) or they soften on retina. Michroma is wide: short titles only. The least warm of the fourteen — engineering grade, not handshake.

Why it fits: If the client is an architect or a design-forward homeowner, this set signals fluency in their language. Syne 800 is a signature no one else in the valley has on a bid, and Martian Mono's wide set reads like gallery captioning on the plan sheet — precision as luxury.

Watch out: Syne 800 is a statement, not a system — one headline per page, then stop. Martian Mono is the widest mono on this page; long dimension strings wrap on phones, so budget 11px or shorter labels.

Why it fits: Cement is roughly 8% of global CO₂ — the first firms in a market to sell low-carbon mixes will own that positioning, and this set makes the argument before the copy does. The type itself is the pitch: the title's YEAR axis is set to today. Figtree keeps the tone human; Kode Mono makes quantities feel measured, not promised.

Watch out: It is a protest face on a document asking for money — set the YEAR axis conservatively and let calm copy do the reassuring. The 2050 setting is for a lobby wall, not a price sheet. Most provocative of the fourteen; deploy with intent.